NBC Symphony Orchestra, Thomas Schippers, Chet Allen, Rosemary Kuhlman, Andrew McKinley, David Aiken, Leon Lishner, Francis Monachino made "Amahl and the Night Visitors: "Oh, No, Wait"" available on November 25, 2014. With Amahl and the Night Visitors: "Oh, No, Wait" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 27 in Amahl and the Night Visitors (Original Album 1953) by NBC Symphony Orchestra, Thomas Schippers. Amahl and the Night Visitors: "Oh, No, Wait" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Amahl and the Night Visitors: "Oh, No, Wait" by NBC Symphony Orchestra, Thomas Schippers, Chet Allen, Rosemary Kuhlman, Andrew McKinley, David Aiken, Leon Lishner, Francis Monachino is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": I. Allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 92 BPM | ||
Samson and Delilah (Highlights): Act II, Scene I, "Amour! viens aider ma faiblesse!" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | ||
L'Arlésienne Suite No. 2: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait) | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari | B Minor | 5 | 10A | 94 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Orchestre National De France, Cristian Măcelaru | F Major | 2 | 7B | 85 BPM | ||
Theme and Variations, Sonatina 4 (Thomas Attwood) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Diversidad | Juan Pablo Fernández Ramos | D Major | 1 | 10B | 96 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM |
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