Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari's 'Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait)' came out on March 29, 2024. With Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait) by Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
To a Wild Rose | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | A Major | 1 | 11B | 137 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Cleveland Orchestra, Franz Welser-Möst | D Minor | 2 | 7A | 76 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante - Live | Pyotr Ilyich Tchaikovsky, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B Minor | 1 | 10A | 136 BPM | ||
Symphony N. 1 in C Minore, Op. 68 - IV. Adagio–Allegro ma con brio | Johannes Brahms, Rudolf Kempe, Berliner Philharmoniker | C Major | 0 | 8B | 131 BPM | ||
Mahler: Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Royal Concertgebouw Orchestra, Daniele Gatti | F Minor | 0 | 4A | 93 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM |
Section: 0.5573246479034424
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