Alberto Franchetti, Enrico Caruso, Salvatore Cottone's 'Germania: Ah, vieni qui... No, non chiuder gli occhi' came out on June 8, 2001. The duration of Germania: Ah, vieni qui... No, non chiuder gli occhi is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Germania: Ah, vieni qui... No, non chiuder gli occhi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Germania: Ah, vieni qui... No, non chiuder gli occhi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Germania: Ah, vieni qui... No, non chiuder gli occhi by Alberto Franchetti, Enrico Caruso, Salvatore Cottone is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: Preludio - "Percorrete le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 113 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
Germania: Ascolta, io moriro | Alberto Franchetti, Domenico Viglione - Borghese, Studio Orchestra, StudioConductor | F Minor | 2 | 4A | 78 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM |
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