Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura)
Benjamin Britten, François Leleux
Britten & Poulenc: Works for Oboe
2:31 1995
BPM
79
Key
B♭ Minor
Camelot
3A

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Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) - Benjamin Britten, François Leleux Information

Acousticness
97%
Danceability
43%
Energy
1%
Instrumentalness
96%
Liveness
11%
Loudness
39%
Speechiness
4%
Valence
62%
Popularity
Loudness
-36.604 dB

Summary

Benjamin Britten, François Leleux made "Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura)" available on 1995. The duration of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) by Benjamin Britten, François Leleux is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: I. Pan (Senza misura) Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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ISRC
FRZ149513160
Label
L-M Records/RCA Records

Section: 0.6815769672393799

End: 0.6865289211273193