Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande
Silvius Leopold Weiss, Virginio Fadda
Lute & Baroque Guitar at the European Courts
3:10 February 1, 2015
BPM
93
Key
C Minor
Camelot
5A

Embed

Share Link

Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande - Silvius Leopold Weiss, Virginio Fadda Information

Acousticness
98%
Danceability
36%
Energy
6%
Instrumentalness
92%
Liveness
11%
Loudness
53%
Speechiness
4%
Valence
34%
Popularity
Loudness
-28.252 dB

Summary

Silvius Leopold Weiss, Virginio Fadda's 'Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande' came out on February 1, 2015. The duration of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande is about 3 minutes long, at 3:10. Based on our data, "Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 2 out of 24. In terms of popularity, Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande BPM

We consider the tempo marking of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande Key

This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Passacaglia in D Minor, BuxWV 161 by Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de CamboulasPassacaglia in D Minor, BuxWV 161Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de CamboulasD Minor17A177 BPM
Lute Sonata No. 11 in D Minor: II. Allemande by Silvius Leopold Weiss, Robert BartoLute Sonata No. 11 in D Minor: II. AllemandeSilvius Leopold Weiss, Robert BartoA♭ Minor11A153 BPM
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio by Giuseppe Torelli, Berlin Baroque CompagneyConcerto for 2 Violins in D Minor, Op. 6, No. 10: I. AdagioGiuseppe Torelli, Berlin Baroque CompagneyE Major012B116 BPM
The Lady of Sussex Delight by Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno CocsetThe Lady of Sussex DelightTobias Hume, Guido Balestracci, Les Basses Réunies, Bruno CocsetE Major112B92 BPM
Corrente IX by Alessandro Piccinini, Bor ZuljanCorrente IXAlessandro Piccinini, Bor ZuljanB♭ Minor13A75 BPM
Toccata by Michelangelo Galilei, Rosemary HodgsonToccataMichelangelo Galilei, Rosemary HodgsonB♭ Major06B99 BPM
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) by Andrés Segovia, George Frideric HandelKeyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia)Andrés Segovia, George Frideric HandelD Minor17A87 BPM
The Four Seasons, Violin Concerto No. 4 - Arr. for Guitar by Peter Batchelar and Richard Wright by Antonio Vivaldi, Miloš KaradaglićThe Four Seasons, Violin Concerto No. 4 - Arr. for Guitar by Peter Batchelar and Richard WrightAntonio Vivaldi, Miloš KaradaglićE Minor19A122 BPM
Lute Sonata in E-Flat Major, Op. 1, No. 2: I. Largo by Adam Falckenhagen, Andrew MaginleyLute Sonata in E-Flat Major, Op. 1, No. 2: I. LargoAdam Falckenhagen, Andrew MaginleyG Major09B137 BPM
The False Consonances of Musick, Aria II by Nicola Matteis, Gli Incogniti, Amandine BeyerThe False Consonances of Musick, Aria IINicola Matteis, Gli Incogniti, Amandine BeyerA♭ Minor21A95 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6216254234313965

End: 0.6254684925079346