Silvius Leopold Weiss, Virginio Fadda's 'Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande' came out on February 1, 2015. The duration of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande is about 3 minutes long, at 3:10. Based on our data, "Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 2 out of 24. In terms of popularity, Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): II. Allemande by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Toccata | Michelangelo Galilei, Rosemary Hodgson | B♭ Major | 0 | 6B | 99 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
The Four Seasons, Violin Concerto No. 4 - Arr. for Guitar by Peter Batchelar and Richard Wright | Antonio Vivaldi, Miloš Karadaglić | E Minor | 1 | 9A | 122 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: I. Largo | Adam Falckenhagen, Andrew Maginley | G Major | 0 | 9B | 137 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM |
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