Silvius Leopold Weiss, Robert Barto made "Lute Sonata No. 11 in D Minor: II. Allemande" available on June 27, 1997. With this song being about 5 minutes long, at 5:09, "Lute Sonata No. 11 in D Minor: II. Allemande" by Silvius Leopold Weiss, Robert Barto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weiss, S.L.: Lute Sonatas, Vol. 1 - Nos. 11, 42, 49 by Silvius Leopold Weiss, Robert Barto. The song's track number on the album is #2 out of 19 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Lute Sonata No. 11 in D Minor: II. Allemande's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Lute Sonata No. 11 in D Minor: II. Allemande by Silvius Leopold Weiss, Robert Barto has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute Sonata No. 11 in D Minor: II. Allemande being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Short Stories in Music: Night Breeze | Carlos Salzedo, Salzedo Harp Duo | F Minor | 0 | 4A | 0 BPM | ||
Allemande | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: III. A tempo giusto | Adam Falckenhagen, Andrew Maginley | D Minor | 1 | 7A | 57 BPM |
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