"Short Stories in Music: Night Breeze" by Carlos Salzedo, Salzedo Harp Duo was released on January 1, 2004. With Short Stories in Music: Night Breeze being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carlos Salzedo, Salzedo Harp Duo's "Harp Duos - Salzedo, C. / Martini, J.-P.-G. / Rameau, J.-P. / Debussy, C. / Bach, J.S. / Dandrieu, J.-F. / Mendelssohn, Felix" album is number 23 out of 27. Short Stories in Music: Night Breeze is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Short Stories in Music: Night Breeze by Carlos Salzedo, Salzedo Harp Duo to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Triptic Dance (arr. for harp duo) | Carlos Salzedo, Pierre Beauchant, Salzedo Harp Duo | F Major | 1 | 7B | 97 BPM | ||
Andalucia, "Suite espagnola": VI. Malaguena (version for 2 harps) | Ernesto Lecuona, Joel Andrews, Salzedo Harp Duo | F Major | 1 | 7B | 105 BPM | ||
25 Etudes, Op. 100: No. 21. Engelsstimmen (arr. T. Reiser) | Tobi Reiser, Franz Burgmüller, Mariedl Müller-Willroider | C Major | 2 | 8B | 70 BPM | ||
Jeesus, missä olet, Jeesus | Pauliina Hyry, SRK Instrumentaali, Sinikka Illikainen, Mikael Säily, Tommi Tuovinen | G Major | 1 | 9B | 67 BPM | ||
チェロとギターのためのソナタ II. Adagio | ハダメス・ニャタリ, 宮田 大, Yasuji Ohagi | G Major | 1 | 9B | 130 BPM | ||
Pour le piano, L. 95: II. Sarabande (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | ||
Introitus secundi toni | Christian Erbach, Sigrun Stephan | D Minor | 6 | 7A | 136 BPM |
Section: 0.4821443557739258
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