Wolfgang Rihm, Ensemble Musikfabrik, Stefan Asbury made "Chiffre IV (Live)" available on June 1, 2010. Since Chiffre IV (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Rihm: Chiffre-Zyklus (Live) by Wolfgang Rihm, Ensemble Musikfabrik, Stefan Asbury. The song's track number on the album is #4 out of 12 tracks. Based on our data, Germany was the country where this track was produced or recorded. Chiffre IV (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Chiffre IV (Live) by Wolfgang Rihm, Ensemble Musikfabrik, Stefan Asbury has a tempo of 56 beats per a minute, the tempo markings of this song would be Lento (slowly). With Chiffre IV (Live) being at 56 BPM, the half-time would be 28 BPM with a double-time of 112 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 2 In G Major: Allegretto scherzando | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Métaboles: IV. Torpide | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): XIV. The Princess Appears | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM | ||
Higgins: Sonata for Alto Trombone I:II | Timothy Higgins, Tim Higgins, Sophia Kim Cook | B♭ Major | 0 | 6B | 125 BPM | ||
Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | B♭ Minor | 3 | 3A | 75 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM |
Section: 0.8175618648529053
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