- BPM
- 64
- Key
- E Minor
- Camelot
- 9A
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 - Tokyo Kosei Wind Orchestra, James Barnes Information
- Acousticness
- 93%
- Danceability
- 38%
- Energy
- 0%
- Instrumentalness
- 85%
- Liveness
- 13%
- Loudness
- 24%
- Speechiness
- 4%
- Valence
- 60%
- Popularity
- 0%
- Loudness
- -45.431 dB
Summary
Tokyo Kosei Wind Orchestra, James Barnes made "Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989" available on July 21, 2001. With Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 28 in Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1) by Tokyo Kosei Wind Orchestra, James Barnes. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 BPM
The tempo marking of Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 by Tokyo Kosei Wind Orchestra, James Barnes is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | |
 | Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM | |
 | Appalachian Overture | James Barnes, University of Texas at El Paso Wind Symphony, Ron Hufstader | A♭ Major | 3 | 4B | 132 BPM | |
 | Ravel: Ma mère l'Oye, M. 62: II. Danse du rouet - Scène | Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 86 BPM | |
 | Ligeti : Hamburg Concerto : VII Hymnus | György Ligeti, Reinbert de Leeuw | E Major | 0 | 12B | 61 BPM | |
| Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | |
 | The Jazz Sax Collection | Ned Bennett, Rob Buckland | B♭ Major | 1 | 6B | 85 BPM | |
 | Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | |
 | 憂いの記憶 - 吹奏楽のための | 前川 保, 大井剛史, Tokyo Kosei Wind Orchestra | D Major | 3 | 10B | 123 BPM | |
 | And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM |
- ISRC
- JPZ921115047
- Label
- L-M Records/RCA Records
Section: 0.6734519004821777
End: 0.6776068210601807