György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie made "Dix pièces pour quintette à vent: IX. Sostenuto, stridente - Live" available on September 23, 2016. With Dix pièces pour quintette à vent: IX. Sostenuto, stridente - Live being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, François-Xavier Roth, Les Siècles's "Ligeti: Six Bagatelles, Kammerkonzert & Dix pièces pour quintette à vent (Live)" album is number 19 out of 20. On top of that, France appears to be the country where this track was created. Dix pièces pour quintette à vent: IX. Sostenuto, stridente - Live is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dix pièces pour quintette à vent: IX. Sostenuto, stridente - Live by György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études, Book 3: No. 17, À bout de souffle | György Ligeti, Kei Takumi | E♭ Major | 6 | 5B | 98 BPM | ||
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Arcadiana, Op. 12: I. Venezia notturna | Thomas Adès, Danish String Quartet | A♭ Major | 0 | 4B | 95 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
7 Papillons: No. 2. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 117 BPM | ||
Piano Sonata, Op.1 | Alban Berg, Pierre-Laurent Aimard | E Minor | 1 | 9A | 74 BPM | ||
Piano Trio No.2, Op.67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | ||
String Quartet in F Major, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Juilliard String Quartet | F Major | 2 | 7B | 88 BPM | ||
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM |
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