"Arcadiana, Op. 12: I. Venezia notturna" by Thomas Adès, Danish String Quartet was released on April 15, 2016. The duration of Arcadiana, Op. 12: I. Venezia notturna is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Arcadiana, Op. 12: I. Venezia notturna's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Adès / Nørgård / Abrahamsen by Danish String Quartet. In terms of popularity, Arcadiana, Op. 12: I. Venezia notturna is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arcadiana, Op. 12: I. Venezia notturna by Thomas Adès, Danish String Quartet is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 121 BPM | ||
Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
Concord | Benjamin Britten, Matthew Barley | B♭ Major | 0 | 6B | 167 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Lyric Pieces, Op. 57: VI. Hjemveop - Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 131 BPM | ||
On an Overgrown Path, Series I: Good Night! | Leoš Janáček, Thomas Adès | E Minor | 0 | 9A | 140 BPM |
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