"シュテファン・ゲオルゲの「第七の環」による 5つの歌, 作品 3: No. 5" by Anton Webern, Miwako Handa, Takehiko Yamada was released on 2012. With シュテファン・ゲオルゲの「第七の環」による 5つの歌, 作品 3: No. 5 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Miwako Handa, Takehiko Yamada's "Khora -ソプラノ名歌曲集-" album is number 8 out of 19. On top of that, Japan appears to be the country where this track was created. シュテファン・ゲオルゲの「第七の環」による 5つの歌, 作品 3: No. 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of シュテファン・ゲオルゲの「第七の環」による 5つの歌, 作品 3: No. 5 by Anton Webern, Miwako Handa, Takehiko Yamada to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Light Year: II. Stella Polaris | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 93 BPM | ||
Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
3 Fragmente: I. Magie | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | C Minor | 1 | 5A | 150 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
Sonata for Violin and Piano: II. Blues / Moderato | Maurice Ravel, Renaud Capuçon, Franck Braley | F Minor | 1 | 4A | 114 BPM |
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