"Eclogue, Op. 10" by Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths was released on December 17, 2001. Eclogue, Op. 10 appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in Finzi: Cello Concerto - Grand Fantasia and Toccata - Eclogue by Gerald Finzi, Howard Griffiths, Royal Northern Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Eclogue, Op. 10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eclogue, Op. 10 by Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Introduction - The Shrovetide Fair, Near Evening (1947 Version) | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Peter Donohoe, Sir Simon Rattle | C Major | 1 | 8B | 120 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Lars Vogt, Royal Northern Sinfonia | E♭ Major | 1 | 5B | 137 BPM |
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