"Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio" by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli was released on 1987. With this song being about 5 minutes long, at 5:13, "Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio" by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Puccini: Madama Butterfly (extraits)". In this album, this song's track order is #9. Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Turandot / Act 1: "Gira la cote!" | Giacomo Puccini, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Puccini: La bohème, Act 4: "Oh Dio! Mimi!" (Rodolfo/Schaunard/Mimì/Musetta/Marcello/Colline) | Giacomo Puccini, Giuseppe Di Stefano, Manuel Spatafora, Maria Callas, Anna Moffo, Rolando Panerai, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 0 | 11B | 80 BPM | ||
Cherubini: Medea: Overture | Luigi Cherubini, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Minor | 2 | 4A | 94 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM |
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