"Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio" by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli was released on 1987. With this song being about 5 minutes long, at 5:13, "Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio" by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Puccini: Madama Butterfly (extraits)". In this album, this song's track order is #9. Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1987 - Remaster), Act II: Scoti quella fronda di ciliegio by Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Herbert von Karajan, Lucie Danieli having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Puccini: Madama Butterfly, Act 2: "Gllielo dirai?...Premetto" (Kate, Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Lucie Danieli, Luisa Villa, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 73 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo!...Ancora un passo or via" (Butterfly, Sharpless, Chorus) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 3 | 2B | 77 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM |
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