"Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra)" by George Frideric Handel, Kiev Virtuosi Chamber Orchestra, Dmitry Yablonsky was released on November 11, 2016. Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. Because this song is the only song in Handel: Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra) and no other songs are present in the album, we classify this track as a single. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra) by George Frideric Handel, Kiev Virtuosi Chamber Orchestra, Dmitry Yablonsky to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 2 | 8A | 101 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
The Four Seasons Recomposed, Winter (After A. Vivaldi): I. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | F Minor | 5 | 4A | 151 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
La Sainte-Chapelle (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 81 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) | Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach | D Major | 1 | 10B | 79 BPM | ||
Concerto pour piano et orchestre en do majeur, No. 21, KV 467: II. Andante | Budapest Symphony Orchestra, Mara Dobrescu | F Major | 1 | 7B | 179 BPM | ||
Khachaturian: Suite from Masquerade: I. Waltz | Aram Khachaturian, Orchestre Philharmonique de Radio France, Paavo Järvi | C Major | 3 | 8B | 96 BPM |
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