Carl Friedrich Zelter, Bettina Pahn, Tini Mathot's '12 Lieder am Clavier zu singen, Z. 120 (Excerpts): No. 11, Heiß mich nicht reden' came out on May 4, 2015. The duration of 12 Lieder am Clavier zu singen, Z. 120 (Excerpts): No. 11, Heiß mich nicht reden is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 12 Lieder am Clavier zu singen, Z. 120 (Excerpts): No. 11, Heiß mich nicht reden's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 23 in Es war ein König in Thule by Bettina Pahn, Tini Mathot. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 12 Lieder am Clavier zu singen, Z. 120 (Excerpts): No. 11, Heiß mich nicht reden's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Lieder am Clavier zu singen, Z. 120 (Excerpts): No. 11, Heiß mich nicht reden by Carl Friedrich Zelter, Bettina Pahn, Tini Mathot is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rastlose Liebe | Karl Friedrich Zelter, Hermann Prey, Jörg Demus | C Minor | 2 | 5A | 118 BPM | ||
Im Abendrot, D. 799: O wie schön ist deine Welt | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 0 | 7B | 73 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Gloria: Domine Fili unigenite | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 79 BPM | ||
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | G Major | 1 | 9B | 135 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM |
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