Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin's 'Uber allen Gipfeln ist Ruh' came out on January 1, 2000. With Uber allen Gipfeln ist Ruh being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Jörg Peter Weigle, Hans-Joachim Rotzsch, Martin Flämig's "German Folk Songs - Zollner, C.F. / Reichardt, J.F. / Brahms, J. / Schubert, F. / Zuccalmaglio, A.W.F. Von / Kuhlau, F." album is number 19 out of 22. On top of that, United States appears to be the country where this track was created. The popularity of Uber allen Gipfeln ist Ruh is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Uber allen Gipfeln ist Ruh by Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meye dein / lichter schein | Neidhart von Reuental, Augsburg Early Music Ensemble | F Major | 1 | 7B | 129 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
Tebe Pojem | Enschede's Byzantijns Kozakkenkoor | A♭ Major | 1 | 4B | 104 BPM | ||
Wer nur den lieben Gott lässt walten | Georg Neumark, Johann Sebastian Bach, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | A Minor | 0 | 8A | 77 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
3 Sonatinas, Op. 59, No. 2 in F Major: I. Allegro | Friedrich Kuhlau, Loredana Brigandì | E Minor | 1 | 9A | 183 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus) | Adam de la Halle, Carl Schreiber, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 75 BPM | ||
Dir, Dir, Jehova, Will Ich Singen BWV 452 | Calmus Ensemble | A Major | 3 | 11B | 112 BPM |
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