"Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus)" by Adam de la Halle, Carl Schreiber, Orphei Drängar, Robert Sund was released on March 31, 1997. The duration of Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Traditional Swedish Songs of Spring & Summer". In this album, this song's track order is #10. Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus) by Adam de la Halle, Carl Schreiber, Orphei Drängar, Robert Sund having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leid Milde Ljos | Nidarosdomens Guttekor | G Major | 1 | 9B | 81 BPM | ||
Kungssången | Tibblekören | A♭ Major | 3 | 4B | 63 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Je muir, je muir d'amourete | Adam de la Halle, Obsidienne, Emmanuel Bonnardot | D♭ Major | 2 | 3B | 81 BPM | ||
Koppången | Orsa Spelmän | D Major | 2 | 10B | 134 BPM | ||
Psalm 100, "Jauchzet dem Herrn, all Welt" | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | F Major | 1 | 7B | 88 BPM | ||
Kung Liljekonvalje | Orphei Drängar, David Wikander, Eric Ericson, Gustaf Froding | B♭ Minor | 1 | 3A | 77 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
The Turtle Dove | Ralph Vaughan Williams, Olle Persson, Orphei Drängar, Robert Sund | C Major | 1 | 8B | 88 BPM |
Section: 0.5434615612030029
End: 0.5474169254302979