"Ma mère l'oye, ballet, M. 62: 5. Laideronnette, Impératrice des pagodes.Mouvement de marche - Allegro - Très modéré" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1994. With this song being about 5 minutes long, at 5:08, "Ma mère l'oye, ballet, M. 62: 5. Laideronnette, Impératrice des pagodes.Mouvement de marche - Allegro - Très modéré" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Ravel: Ma Mère L'Oye; Boléro etc.". In this album, this song's track order is #7. In terms of popularity, Ma mère l'oye, ballet, M. 62: 5. Laideronnette, Impératrice des pagodes.Mouvement de marche - Allegro - Très modéré is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, ballet, M. 62: 5. Laideronnette, Impératrice des pagodes.Mouvement de marche - Allegro - Très modéré by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
Piano trio in a minor: Modéré | Maurice Ravel, Trio Mondrian | C Major | 0 | 8B | 82 BPM | ||
Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Menuet sur le nom de Haydn | Maurice Ravel, Jean-Yves Thibaudet | G Major | 0 | 9B | 100 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz | Carl Orff, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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