"Matthäus-Passion, BWV 244, Erster Teil: 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz"" by Johann Sebastian Bach, Collegium Vocale Gent, Werner Güra, Philippe Herreweghe was released on 1999. With Matthäus-Passion, BWV 244, Erster Teil: 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz" being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 19 out of 68. Matthäus-Passion, BWV 244, Erster Teil: 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz" by Johann Sebastian Bach, Collegium Vocale Gent, Werner Güra, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B♭ Major | 2 | 6B | 72 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Weinen, Klagen (Chorus) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 73 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Johannes Passion Bwv 245: Chorale: Ach Grosser König | Choir of King's College, Cambridge, Paul Agnew, Michael Chance, Catherine Bott, Stephan Varcoe, Johann Sebastian Bach, Stephan Richardson Christus, John Mark Ainsley Evangelist, Stephan Cleobury | A♭ Major | 1 | 4B | 74 BPM | ||
Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
Lukas Passion BWV 246: Chorale: Sein'Allererste Sorge War | Gerhard Rehm, Elisabeth Künstler, Gundrum Schmid, Georg Jelden, Charlotte Lehmann, Johann Sebastian Bach, Wolfgang Herrlitz, Balinger Kantorei; Kammerorchester Collegium Musicum Tübingen, Ulrich Schaible | E♭ Major | 2 | 5B | 49 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 50, Rezitative und Chöre. "Sie schrieen aber noch mehr" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Dietrich Henschel, Concentus Musicus Wien | A♭ Minor | 1 | 1A | 76 BPM | ||
I. Ein Feste Burg Ist Unser Gott BWV 80, Coro: Ein Feste Burg Ist Unser Gott | Holland Boys Choir; Netherlands Bach Collegium, Frank Wakelkamp, Knut Schoch, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Martin Mans, John Wilson Meyer, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 3 | 3B | 88 BPM |
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