"Lukas Passion BWV 246: Chorale: Sein'Allererste Sorge War" by Gerhard Rehm, Elisabeth Künstler, Gundrum Schmid, Georg Jelden, Charlotte Lehmann, Johann Sebastian Bach, Wolfgang Herrlitz, Balinger Kantorei; Kammerorchester Collegium Musicum Tübingen, Ulrich Schaible was released on December 22, 2006. With Lukas Passion BWV 246: Chorale: Sein'Allererste Sorge War being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerhard Rehm's "Lukas Passion Part: 2" album is number 34 out of 57. Lukas Passion BWV 246: Chorale: Sein'Allererste Sorge War is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lukas Passion BWV 246: Chorale: Sein'Allererste Sorge War by Gerhard Rehm, Elisabeth Künstler, Gundrum Schmid, Georg Jelden, Charlotte Lehmann, Johann Sebastian Bach, Wolfgang Herrlitz, Balinger Kantorei; Kammerorchester Collegium Musicum Tübingen, Ulrich Schaible to be Lento (slowly) because the track has a tempo of 49 BPM, a half-time of 24BPM, and a double-time of 98 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo | George Frideric Handel, Concerto Copenhagen, Lars Ulrik Mortensen | F♯ Minor | 0 | 11A | 105 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Recitativo "Ach Jesu, meine Ruh" (Soprano, Bass) | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Maria Keohane, Mathias Vieweg | D Major | 1 | 10B | 77 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
Johannes-Passion, BWV 245.1: 29. Recitativo: Und von Stund an nahm sie der Jünger zu sich | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
VII. Ei nun, mein Gott, so fall ich (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM |
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