Johann Strauss II, Wiener Philharmoniker, Lorin Maazel's 'Voices of Spring, Op. 410 (Frühlingsstimmen) - Live' came out on January 1, 1998. Voices of Spring, Op. 410 (Frühlingsstimmen) - Live is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Johann Strauss I, Josef Strauss's "J. Strauss: Best of Waltzes & Polkas" album is number 4 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Voices of Spring, Op. 410 (Frühlingsstimmen) - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voices of Spring, Op. 410 (Frühlingsstimmen) - Live by Johann Strauss II, Wiener Philharmoniker, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 181 BPM | ||
La traviata / Act 1: E strano! - Ah, fors'è lui | Giuseppe Verdi, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 81 BPM | ||
The Typewriter | Leroy Anderson, Werner Brock, Cologne West German Radio Orchestra, Pinchas Steinberg | D Major | 1 | 10B | 117 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
La vie parisienne: Bacarolle - Instrumental | Jacques Offenbach, Philadelphia Orchestra, Eugene Ormandy | D Major | 2 | 10B | 82 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Imperial March - From "Star Wars: The Empire Strikes Back" | John Williams, Wiener Philharmoniker | G Minor | 5 | 6A | 99 BPM | ||
Fruhlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | C Minor | 1 | 5A | 185 BPM | ||
Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM |
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