Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Alfredo Simonetto's 'I Lombardi alla prima crociata, Act II: La mia letizia infondere' came out on September 1, 2015. The duration of I Lombardi alla prima crociata, Act II: La mia letizia infondere is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. I Lombardi alla prima crociata, Act II: La mia letizia infondere's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #13. I Lombardi alla prima crociata, Act II: La mia letizia infondere is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Lombardi alla prima crociata, Act II: La mia letizia infondere by Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Alfredo Simonetto having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
La Traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 125 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 1 | 8B | 89 BPM |
Section: 0.5870578289031982
End: 0.5919108390808105