"Triple Concerto for Violin, Viola, Cello and Orchestra: III. Medium fast" by Michael Tippett, Ernst Kovacic, Gérard Caussé, Alexander Baillie, BBC Philharmonic was released on January 1, 1991. Since Triple Concerto for Violin, Viola, Cello and Orchestra: III. Medium fast is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Tippett: Triple Concerto & Piano Concerto". In this album, this song's track order is #5. In terms of popularity, Triple Concerto for Violin, Viola, Cello and Orchestra: III. Medium fast is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Triple Concerto for Violin, Viola, Cello and Orchestra: III. Medium fast by Michael Tippett, Ernst Kovacic, Gérard Caussé, Alexander Baillie, BBC Philharmonic having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Closing Scene. Slow – (The Caravan recedes farther and farther into the distance.) – (Dying away in the distance) | Frederick Delius, Ruairi Bowen, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | G Minor | 0 | 6A | 87 BPM | ||
Five Negro Spirituals From The Oratorio "A Child Of Our Time": Nobody Knows | Michael Tippett, BBC Singers, Stephen Cleobury, BBC Singers, Stephen Cleobury | C Minor | 1 | 5A | 120 BPM | ||
Quattro pezzi sacri: No. 1, Ave Maria | Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
A Child of our Time / Part 2: "A Star Rises In Mid-Winter" | Michael Tippett, BBC Singers, BBC Choral Society, BBC Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 84 BPM |
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