"A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick)" by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra was released on 1986. The duration of A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. In terms of popularity, A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick) by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
A Charm of Lullabies, Op. 41: A Cradle Song (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | G Major | 3 | 9B | 130 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" | Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar | F Major | 3 | 7B | 113 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM |
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