"Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Jaroslava Horska, Anita Bader, Jolana Fogasova, Tunde Franko was released on 1994. The duration of Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #13 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Jaroslava Horska, Anita Bader, Jolana Fogasova, Tunde Franko has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: L'ha colta il sonno (Adonella, Biancofiore, Altichiara, Garsenda) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 166 BPM | ||
La forza del destino: O tu che in seno agli angeli | Giuseppe Verdi, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | C Major | 3 | 8B | 115 BPM | ||
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! | Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly | F Major | 2 | 7B | 112 BPM | ||
Les Contes d'Hoffmann / Act 1: Dans les rôles d'amoureux langoureux | Jacques Offenbach, Andreas Schmidt, Orchestre National De France, Seiji Ozawa | C Major | 2 | 8B | 137 BPM | ||
Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D Minor | 2 | 7A | 95 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM |
Section: 0.7284133434295654
End: 0.7327432632446289