"Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova was released on 1994. With Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #3 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III, Scene 8: Paolo, datemi pace! (Francesca) being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
Rigoletto: La donna è mobile | Giuseppe Verdi, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | B Major | 2 | 1B | 146 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Le nozze di Figaro, K. 492: Voi che sapete (Cherubino) | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | D Minor | 1 | 7A | 165 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico) | Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | D Major | 2 | 10B | 40 BPM | ||
La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Francesca da Rimini: Act I: Francesca, dove andrai? (Samaritana, Francesca) | Riccardo Zandonai, Pinuccia Perotti, Orchestra La Scala di Milano, Magda Olivero, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Eva Podles, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM | ||
Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi | C Minor | 1 | 5A | 62 BPM |
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