"Études, Book 1: No. 5, Arc-en-ciel" by György Ligeti, Pierre-Laurent Aimard was released on December 11, 1996. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Pierre-Laurent Aimard's "György Ligeti Edition, Vol. 3" album is number 5 out of 26. Based on our statistics, Études, Book 1: No. 5, Arc-en-ciel's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Études, Book 1: No. 5, Arc-en-ciel by György Ligeti, Pierre-Laurent Aimard to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla Symphonie: 10. Final | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 4 | 3B | 155 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Kammerkonzert pour treize instrumentistes: I. Corrente | György Ligeti, Jeanne-Marie Conquer, Diego Tosi, Odile Auboin, Eric Maria Couturier, Nicolas Crosse, Emmanuelle Ophele, Philippe Grauvogel, Alain Billard, Jérôme Comte, Jens McManama, Lucas Ounissi, Hideki Nagano, Sébastien Vichard | B Minor | 0 | 10A | 134 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Love Token | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 3 | 8B | 112 BPM |
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