Lithuanian Chamber Orchestra's 'The Messiah: Part. II, Aria (Thou art gone up high' came out on November 28, 2008. The duration of The Messiah: Part. II, Aria (Thou art gone up high is about 3 minutes long, at 3:21. Based on our data, "The Messiah: Part. II, Aria (Thou art gone up high" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #35. The Messiah: Part. II, Aria (Thou art gone up high is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Messiah: Part. II, Aria (Thou art gone up high by Lithuanian Chamber Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: III. Presto | Tbilisi Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Kalev Kuljus, Lithuanian Chamber Orchestra | D Minor | 0 | 7A | 67 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Russian Seasons, Spring: III. St. George's Day Song | Leonid Desyatnikov, Roman Mints, Lithuanian Chamber Orchestra, Philipp Chizhevsky | G Major | 0 | 9B | 140 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Trumpet Concerto in E-Flat Major, Op. 7, No. 1: IV. Allegro - Transcr. by Timofey Dokshizer | Tomaso Albinoni, Lithuanian Chamber Orchestra, Saulius Sondeckis, Timofey Dokshizer | G Major | 3 | 9B | 94 BPM | ||
Barber: String Quartet in B Major, Op. 11: II. Adagio | Samuel Barber, Endellion String Quartet | C Minor | 1 | 5A | 184 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: II. Allegro - Lentement - Allegro | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 4 | 3B | 135 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM |
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