Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi's 'Flute Concerto in D Minor, QV 5:81: II. Arioso' came out on July 2, 2013. Flute Concerto in D Minor, QV 5:81: II. Arioso is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Quantz: Flute Concertos". In this album, this song's track order is #11. Based on our statistics, Flute Concerto in D Minor, QV 5:81: II. Arioso's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in D Minor, QV 5:81: II. Arioso by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A. Vivaldi Concerto in A Minor II. Adagio BWV 593 | Ales Barta | A Minor | 2 | 8A | 117 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony in E-Flat Major, Op. 9, No. 2, W. C18: I. Allegro | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | D Major | 1 | 10B | 146 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Flute Sonata No. 189 in B Minor: III. Allegro assai | Frederick the Great, Mary Oleskiewicz, Máté Balázs, David Schulenberg | A Minor | 2 | 8A | 126 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM |
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