"Från mitt fönster: Fran mitt fonster: No. 6. I tankar" by Adolf Wiklund, Peter Jablonski was released on January 1, 2009. The duration of Från mitt fönster: Fran mitt fonster: No. 6. I tankar is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Från mitt fönster: Fran mitt fonster: No. 6. I tankar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Piano Music - Godowsky, L. / Rakov, N.P. / Infante, M. / Tarrega, F. / Faure, G. (Rarities of Piano Music at Schloss Vor Husum, 2008 Festival)". In this album, this song's track order is #9. In terms of popularity, Från mitt fönster: Fran mitt fonster: No. 6. I tankar is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Från mitt fönster: Fran mitt fonster: No. 6. I tankar by Adolf Wiklund, Peter Jablonski having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVc. Coda | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Meine Seele erhebt den Herrn, BWV 648 (Arr. Ireland for Piano) | Johann Sebastian Bach, Jonathan Plowright | D Minor | 0 | 7A | 72 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Piano Concerto No. 2 in B Minor, Op. 17: I. Allegro ma non troppo | Adolf Wiklund, Greta Erikson, Stig Westerberg, Swedish Radio Symphony Orchestra | A♭ Major | 1 | 4B | 89 BPM | ||
2 Etudes, Op. 29: Etude in D Major, Op. 29, No. 1 | Felix Blumenfeld, Daniel Blumenthal | D Minor | 2 | 7A | 59 BPM |
Section: 0.6530044078826904
End: 0.6568291187286377