Adolf Wiklund, Greta Erikson, Stig Westerberg, Swedish Radio Symphony Orchestra's 'Piano Concerto No. 2 in B Minor, Op. 17: I. Allegro ma non troppo' came out on October 12, 2017. Since Piano Concerto No. 2 in B Minor, Op. 17: I. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 60 in the song's album "The Swedish Piano Vol. 2". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. Piano Concerto No. 2 in B Minor, Op. 17: I. Allegro ma non troppo is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Concerto No. 2 in B Minor, Op. 17: I. Allegro ma non troppo by Adolf Wiklund, Greta Erikson, Stig Westerberg, Swedish Radio Symphony Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Saint-Saëns: Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 82 BPM | ||
Piano Concerto No. 2, Op. 28: III. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Minor | 2 | 5A | 133 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Studies, Op. 740: No.5, Octave Study - Welte-Mignon 2430 | Carl Czerny, Peter Phillips, Josef Lhevinne | A Major | 3 | 11B | 124 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
Spazi Vuoti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM |
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