"Serenade No. 1 in D Major, Op. 11: IVc. Coda" by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin was released on March 17, 2017. With Serenade No. 1 in D Major, Op. 11: IVc. Coda being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 13 in Brahms: Serenades Nos. 1 & 2 by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Serenade No. 1 in D Major, Op. 11: IVc. Coda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade No. 1 in D Major, Op. 11: IVc. Coda by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: I. Carattere Espagnuolo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 1 | 9B | 107 BPM | ||
Haydn: Symphony No. 100 in G Major, Hob. I:100 "Military": IV. Finale. Presto | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | G Minor | 1 | 6A | 171 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | C Major | 2 | 8B | 79 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto, ma non assai - Tempo I - Presto, ma non assai - Tempo I | Johannes Brahms, Philadelphia Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 86 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
6 Pezzi, P. 31: No. 1. Berceuse | Ottorino Respighi, Emy Bernecoli, Massimo Giuseppe Bianchi | D Minor | 1 | 7A | 102 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM |
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