Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs made "Psyche: Prologue: Overture" available on January 1, 2008. With Psyche: Prologue: Overture being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Lully: Psyché" album is number 1 out of 74. In terms of popularity, Psyche: Prologue: Overture is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Psyche: Prologue: Overture by Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Lully: Armide, LWV 71, Act 2: "Invincible héros, c'est par votre courage" (Artémidore, Renaud) | Jean-Baptiste Lully, Philippe Herreweghe, Martin Egel, Zeger Vandersteene, Ensemble instrumental de la Chapelle royale | B Minor | 1 | 10A | 98 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
Section: 0.6063475608825684
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