"Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. With this song being about 5 minutes long, at 4:48, "Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #19 out of 43 tracks. Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM |
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