Henry Purcell, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet made "Vingt pièces pour clavier: No. 13, Menuet - Transcr. for Three Marimbas" available on March 16, 2018. With Vingt pièces pour clavier: No. 13, Menuet - Transcr. for Three Marimbas being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 20 in Alors, on danse ? (Transcr. for Three Marimbas) by Trio SR9, Paul Changarnier, Nicolas Cousin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Vingt pièces pour clavier: No. 13, Menuet - Transcr. for Three Marimbas is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Vingt pièces pour clavier: No. 13, Menuet - Transcr. for Three Marimbas by Henry Purcell, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Sonata in A Major, Kk.208 | Domenico Scarlatti, Alexandre Tharaud | A Major | 1 | 11B | 130 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Les Valseuses | Stéphane Grappelli, Laurent Korcia | B Minor | 2 | 10A | 145 BPM | ||
LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
Prayer of Gratitude | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | F♯ Minor | 1 | 11A | 94 BPM | ||
Armenian Song | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | B♭ Minor | 0 | 3A | 77 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |
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