Franz Lehár, Großes Wiener Rundfunkorchester, Else Macha, Cilly Togel made "Wo die Lerche singt, Act II: "Ich, Du, Er, Wir, Ihr und Sie" - "Sonntag kommt mein Schatz" (Margit, Borsca)" available on March 6, 2015. The duration of Wo die Lerche singt, Act II: "Ich, Du, Er, Wir, Ihr und Sie" - "Sonntag kommt mein Schatz" (Margit, Borsca) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Wo die Lerche singt, Act II: "Ich, Du, Er, Wir, Ihr und Sie" - "Sonntag kommt mein Schatz" (Margit, Borsca)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Lehár, Großes Wiener Rundfunkorchester, Ernst Tautenhayn, Else Macha's "Lehár: Wo die Lerche singt" album is number 16 out of 29. On top of that, Germany appears to be the country where this track was created. Wo die Lerche singt, Act II: "Ich, Du, Er, Wir, Ihr und Sie" - "Sonntag kommt mein Schatz" (Margit, Borsca) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wo die Lerche singt, Act II: "Ich, Du, Er, Wir, Ihr und Sie" - "Sonntag kommt mein Schatz" (Margit, Borsca) by Franz Lehár, Großes Wiener Rundfunkorchester, Else Macha, Cilly Togel to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch | Franz Lehár, Heinz Hoppe, Benno Kusche, Grosses Operetten Orchester, Franz Marszalek | D Major | 5 | 10B | 118 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM | ||
Wagner Lohengrin Bridal Choir Act II - Latvian State Symphony Orchestra Vilumanis Choir Latvija | Wagner, Latvian State Symphony Orchestra | B♭ Major | 0 | 6B | 69 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Finale I: "Damenwahl!" | Franz Lehár, Elizabeth Harwood, René Kollo, Donald Grobe, Werner Krenn, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 94 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |
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