"Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!"" by Richard Wagner, Poul Elming, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. The duration of Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!" is about 3 minutes long, at 3:24. Based on our data, "Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #23 out of 43 tracks. In terms of popularity, Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!" by Richard Wagner, Poul Elming, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Die Walküre, WWV 86B / Act 2: Szene 3: "Raste nun hier; gönne dir Ruh!" being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 2: "Johannistag! Johannistag!" | Richard Wagner, Norman Bailey, Adolf Dallapozza, Julia Hamari, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 75 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM |
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