"Sei, lieber Tag, willkommen" by Johann Michael Bach, The Choir Of Trinity College, Cambridge had its release date on July 15, 1997. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 23 in Bach/Family Motets by The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sei, lieber Tag, willkommen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sei, lieber Tag, willkommen by Johann Michael Bach, The Choir Of Trinity College, Cambridge is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
Aria: Auf, laßt uns den Herren loben | Johann Michael Bach, Cantus Cölln, Concerto Palatino, Konrad Junghanel | D Minor | 0 | 7A | 85 BPM | ||
Jesu, meine Freude, BWV 227: Gute Nacht, o Wesen | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | A♭ Minor | 0 | 1A | 115 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Byrd: Sing Joyfully Unto God | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 111 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Magnificat in D Major, BWV 243: VI. Et misericordia | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg Mammel | F♯ Major | 2 | 2B | 80 BPM | ||
Auf meinen lieben Gott (or Wo soil ich fliehen hin) | Francis Monkman, Johann Michael Bach, Johann Sebastian Bach | E Minor | 0 | 9A | 73 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM |