Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March - Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir Information

Acousticness: 20%
Danceability: 20%
Energy: 6%
Instrumentalness: 0%
Liveness: 13%
Loudness: 58%
Speechiness: 5%
Valence: 7%
Popularity: 3%
Loudness: -24.937 dB

Summary

"Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March" by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir had its release date on February 1, 1993. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Nielsen: "Aladdin"". In this album, this song's track order is #13. In terms of popularity, Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March BPM

With Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act III: No. 13, March Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Major	0	11B	69 BPM
Sonatina No. 1, Op. 67: III. Allegro moderato	Jean Sibelius, Leif Ove Andsnes	F♯ Major	1	2B	94 BPM
Symphony No. 3, Op. 27 "Espansiva": III. Allegretto un poco	Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi	B Major	2	1B	154 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	C Minor	0	5A	104 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Requiem, Op. 48: IV. Sanctus	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	E♭ Major	1	5B	64 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Minor	2	8A	113 BPM
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice	Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti	A Minor	0	8A	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records