"Libro primo: Missa Dominicalis. II. Gloria alternatim" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian was released on August 28, 2015. Since Libro primo: Missa Dominicalis. II. Gloria alternatim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 20 out of 85. On top of that, Netherlands appears to be the country where this track was created. Libro primo: Missa Dominicalis. II. Gloria alternatim is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro primo: Missa Dominicalis. II. Gloria alternatim by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Libro primo: Intonazione del secondo tono | Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian | A Major | 0 | 11B | 67 BPM | ||
Missa Sanctae Crucis, MH 56: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B Major | 1 | 1B | 169 BPM | ||
Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | C Major | 1 | 8B | 92 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
Dances: Galliard [32] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | E♭ Major | 0 | 5B | 121 BPM | ||
Cum essem parvulus | Orlande de Lassus, Odhecaton, Paolo da Col | B Minor | 1 | 10A | 137 BPM | ||
Jubilate Deo à 8 | Giovanni Gabrieli, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | B♭ Major | 2 | 6B | 77 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM |
Section: 0.4910125732421875
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