Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) - Giovanni Gabrieli, Eric Crees, London Symphony Brass Information

Acousticness: 99%
Danceability: 34%
Energy: 7%
Instrumentalness: 90%
Liveness: 9%
Loudness: 69%
Speechiness: 3%
Valence: 16%
Popularity: 41%
Loudness: -18.339 dB

Summary

"Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass)" by Giovanni Gabrieli, Eric Crees, London Symphony Brass was released on September 26, 1997. The duration of Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Eric Crees's "Gabrieli: Music for Brass, Vol. 1" album is number 2 out of 16. In terms of popularity, Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) BPM

We consider the tempo marking of Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) by Giovanni Gabrieli, Eric Crees, London Symphony Brass to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro]	Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton	A♭ Minor	2	1A	89 BPM
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus	Anton Bruckner, Latvian Radio Choir, Sigvards Kļava	F Major	0	7B	127 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
Sacrae symphoniae: Canzon noni toni a 12 (arr. E. Crees for brass)	Giovanni Gabrieli, Eric Crees, London Symphony Brass	A Minor	1	8A	96 BPM
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro	George Frideric Handel, Richard Egarr, Academy of Ancient Music	A Major	0	11B	79 BPM
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher)	Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra	G Minor	1	6A	86 BPM
Trio Sonata No. 1 in A Minor: II. Fuga	William Boyce, Simon Standage, Collegium Musicum 90	A♭ Minor	1	1A	81 BPM
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno"	Diego Ortiz, Joel Frederiksen	E Major	0	12B	126 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Nolo mortem peccatoris	Thomas Morley, Stile Antico	F Minor	1	4A	79 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.1672682762145996

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