Sean Barrett's 'Life and Works: Symphony No. 6 in D, Op. 60 (mvt 4: Finale: Allegro con spirito)' came out on April 16, 2004. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 14 out of 61. In terms of popularity, Life and Works: Symphony No. 6 in D, Op. 60 (mvt 4: Finale: Allegro con spirito) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Life and Works: Symphony No. 6 in D, Op. 60 (mvt 4: Finale: Allegro con spirito) by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer) | Sean Barrett | A Major | 0 | 11B | 102 BPM | ||
5 German Dances, D.89 (D.90) - Arranged For 7 Trios And 1 Coda For String Quartett: 1. Deutscher Tanz - Trio I - Trio II In C Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | C Major | 0 | 8B | 133 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Les Pecheurs des Perles / Act 1: "Au fond du temple saint" | Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | E♭ Major | 2 | 5B | 78 BPM | ||
Morgen! Op. 27, No. 4 | Richard Strauss, Joshua Bell, Michael Stern | G Major | 1 | 9B | 93 BPM | ||
Chapter 122 - Enemies of Mercia | MJ Porter, Sean Barrett | D♭ Major | 3 | 3B | 114 BPM | ||
Chapter 117 - Enemies of Mercia | MJ Porter, Sean Barrett | B♭ Minor | 2 | 3A | 147 BPM |
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