Sean Barrett's 'Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer)' came out on April 16, 2004. The duration of Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 9 out of 61. In terms of popularity, Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Life and Works: Serenade in E for strings, Op. 22 (mvt 2: Walzer) by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
Life and Works: Symphony No. 9 in E Minor, Op. 95 ('From the New World' - mvt 4: Allegro con fuoco) | Sean Barrett | E Minor | 2 | 9A | 91 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM |
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