Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse's 'Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz' came out on 1995. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 28 in Carmina Burana by Carl Orff. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 1 | 9B | 172 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia | Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini | G Minor | 2 | 6A | 79 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 0 | 9B | 94 BPM |
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