"The Hebrides Overture, Op. 26, "Fingal's Cave"" by Felix Mendelssohn, George Szell, Cleveland Orchestra was released on July 20, 2018. The Hebrides Overture, Op. 26, "Fingal's Cave" appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, George Szell, Cleveland Orchestra's "Mendelssohn: Symphony No. 4, Op. 90 "Italian" & The Hebrides Overtures - Weber: Overture to Oberon" album is number 5 out of 6. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Hebrides Overture, Op. 26, "Fingal's Cave"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hebrides Overture, Op. 26, "Fingal's Cave" by Felix Mendelssohn, George Szell, Cleveland Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Appalachian Spring: Moderato - Andante (very calm) | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 58 BPM | ||
Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven, George Szell, Cleveland Orchestra | C Major | 1 | 8B | 97 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Steven Isserlis, Michael Tilson Thomas | D Minor | 0 | 7A | 63 BPM |
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