Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon made "Who is Sylvia?, Op.18, No.2 - Instrumental" available on January 15, 2016. With Who is Sylvia?, Op.18, No.2 - Instrumental being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 3 out of 19. Based on our statistics, Who is Sylvia?, Op.18, No.2 - Instrumental's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Who is Sylvia?, Op.18, No.2 - Instrumental by Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Copland: Appalachian Spring: VIII. Moderato - Coda | Aaron Copland, Aurora Orchestra, Nicholas Collon | C Major | 0 | 8B | 57 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Pata Pata | Miriam Makeba, Jerry Ragovoy, Pumeza Matshikiza, Aurora Orchestra, Iain Farrington | F Major | 5 | 7B | 137 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 94 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Buck / Mills / Stipe / Arr Tognetti: I've been high | Peter Buck, Mike Mills, Michael Stipe, Aurora Orchestra, Nicholas Collon | C Major | 0 | 8B | 114 BPM |
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