Robert Schumann, Isabelle Faust, Pablo Heras-Casado, Freiburger Barockorchester's 'Violin Concerto in D Minor: Violin Concerto in D Minor: III. Lebhaft, doch nicht schnell' came out on March 23, 2015. Violin Concerto in D Minor: Violin Concerto in D Minor: III. Lebhaft, doch nicht schnell appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Schumann: Violin Concerto". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, Violin Concerto in D Minor: Violin Concerto in D Minor: III. Lebhaft, doch nicht schnell is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Minor: Violin Concerto in D Minor: III. Lebhaft, doch nicht schnell by Robert Schumann, Isabelle Faust, Pablo Heras-Casado, Freiburger Barockorchester having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
Octet in E-Flat, Op. 20: III. Scherzo | Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy | G Minor | 1 | 6A | 143 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Artemis Quartet | D Major | 0 | 10B | 95 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: I. Allegro | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | F Minor | 1 | 4A | 76 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Horn Trio in E-Flat Major, Op. 40: II. Scherzo (Allegro - Molto meno Allegro) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | A Major | 0 | 11B | 88 BPM | ||
Cello Concerto No. 3 In G Major, G. 480: II. Adagio | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | G Minor | 0 | 6A | 83 BPM |
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