Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto"
Giacomo Puccini, Giorgio Zancanaro, Piero de Palma, Orazio Mori, Philadelphia Orchestra, Riccardo Muti
Puccini: Tosca
2:26 June 7, 1993
BPM
81
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" - Giacomo Puccini, Giorgio Zancanaro, Piero de Palma, Orazio Mori, Philadelphia Orchestra, Riccardo Muti Information

Acousticness
90%
Danceability
38%
Energy
48%
Instrumentalness
1%
Liveness
7%
Loudness
83%
Speechiness
10%
Valence
28%
Popularity
Loudness
-10.416 dB

Summary

Giacomo Puccini, Giorgio Zancanaro, Piero de Palma, Orazio Mori, Philadelphia Orchestra, Riccardo Muti's 'Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto"' came out on June 7, 1993. The duration of Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Puccini: Tosca". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" BPM

With Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" by Giacomo Puccini, Giorgio Zancanaro, Piero de Palma, Orazio Mori, Philadelphia Orchestra, Riccardo Muti having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Don Pasquale: Tornami a dir che m'ami by Angela Gheorghiu, Richard Armstrong, Roberto AlagnaDon Pasquale: Tornami a dir che m'amiAngela Gheorghiu, Richard Armstrong, Roberto AlagnaA Major011B90 BPM
Bizet: Carmen, WD 31, Act 1: Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus)Georges Bizet, Lorin Maazel, Orchestre National De FranceD Major010B98 BPM
Turandot, Act III: Nessun dorma (arr. for orchestra) by Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovTurandot, Act III: Nessun dorma (arr. for orchestra)Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovD Major110B85 BPM
La Cenerentola / Act 2: La Cenerentola / Act 2: "Non più mesta"Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyE Major312B137 BPM
Gianni Schicchi: Act I - Gianni Schicchi: Act I - "O mio babbino caro"Czech Symphony Orchestra, Julian Bigg, Susan McCullochA♭ Major24B169 BPM
'A vucchella by Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno'A vucchellaFrancesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton GuadagnoF Major17B81 BPM
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic OrchestraStrauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra)Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic OrchestraG Major09B178 BPM
Carmen, WD 31 / Act 1: Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise)Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg SoltiG Major19B122 BPM
Gianni Schicchi (Oper in 1 Akt) by Mirella FreniGianni Schicchi (Oper in 1 Akt)Mirella FreniA♭ Major24B174 BPM
Dido and Aeneas: Dido's Lament by Jessye NormanDido and Aeneas: Dido's LamentJessye NormanC Minor25A89 BPM
ISRC
NLA508906216
Label
L-M Records/RCA Records

Section: 0.6860313415527344

End: 0.6896069049835205