- BPM
- 111
- Key
- D♭ Minor
- Camelot
- 12A
Siroe, HWV 24: Act III - "Mi lagnerò tacendo" - Simone Kermes Information
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 7%
- Loudness
- -21.995 dB
Summary
"Siroe, HWV 24: Act III - "Mi lagnerò tacendo"" by Simone Kermes was released on March 13, 2009. Since Siroe, HWV 24: Act III - "Mi lagnerò tacendo" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 9 out of 14. In terms of popularity, Siroe, HWV 24: Act III - "Mi lagnerò tacendo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Siroe, HWV 24: Act III - "Mi lagnerò tacendo" BPM
We consider the tempo marking of Siroe, HWV 24: Act III - "Mi lagnerò tacendo" by Simone Kermes to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
Siroe, HWV 24: Act III - "Mi lagnerò tacendo" Key
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | |
 | The Dance (Baile) | Hans-Erik Philip, Simone Kermes, Béla Drahos | A Minor | 1 | 8A | 131 BPM | |
 | Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | |
 | Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | |
 | O quam suavis (Mottetti a voce sola da diversi Eccellentissimi Autori, Libro primo, Venezia Gardano 1645) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 91 BPM | |
 | Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | |
 | Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | |
 | Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | |
 | Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | |
 | Giulio Cesare, 'Julius Caesar' HWV17, ACT 1: Son nata a lagrimar | George Frideric Handel, John Nelson/Emmanuelle Haïm/Stephanie Blythe/David Daniels/Martin Isepp/Ensemble Orchestral de Paris, John Nelson | E Minor | 1 | 9A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8250863552093506
End: 0.8297257423400879